Sara Arvidsson, Sara Östebro, Maja Östebro, GIBCA Extended 2021, Manifesto for Clay and 80/20 or Familiar Grounds, catalogue published by Boy konsthall, Sweden
catalogue (ENG)
katalog (SWE)

Anne Engström, Hon skapar konst av leran fran tegelbruket, exhibition review 'Manifesto for Clay', Borås Tidning, p. 17

Lena Carlsson, I leran möter historien framtiden, exhibition review 'Manifesto for Clay', AnnonsMarkna'n, pp. 12-13


Anne Engström, Julia Schuster - från Wien till Bollebygd för naturen, exhibition review 'Andas in. Andas ute.', Borås Tidning, p. 15

Lena Carlsson, Poetiskt av lera – med kärlek till Bollebygd, exhibition review 'Andas in. Andas ute.', AnnonsMarkna'n, pp. 10-11

Raffaela Perna, Arte e Feminismi, Agenda Gennaio 2020 in Flash Art Italia, exhibition feature 'Tu che mi guardi' 

Giorgia Gastaldon and Giadia Centazzo, Palinsesti, catalogue, pp. 10-16 and pp. 22-23

Ceramic Arts 2019 | Yearbook and Annual Buyers Guide, Awards: Future Lights Competition, Ceramics Monthly, The American Ceramic Society, p. 42

Jonathan Parnham, A Year as Artist-in-Residence: Julia Schuster, article in The Marlburian, p. 103

Emily Symington, Full Circle Half Knowledge, exhibition review, Marlborough College website

Vincent Stokes, Full Circle Half Knowledge, exhibition review, Marlborough News Online

Mary George, Full Circle Half Knowledge, essay in artist book, self-published by Julia Schuster, pp. 10-11

Fi Underhill, Spode//, British Ceramics Biennial exhibition review, Ceramics Blog

Vincent Stokes, Kontakt, exhibition review, Marlborough News Online

Julia Schuster, Marlborough College Artist in Residence 2017-2018, statement of appointment

Daniel Regan, Traces, Free Space Project, Kentish Town Health Center

Keep in Touch, International Porcelain Meeting KIT 2016, catalogue published by JEPU, Czech Republic

Kateřina Zvelebilová, Otázka nezní proč, nýbrž jak předměty vznikají?, Keep in Touch Symposium in Material Times

Mahbubur Rahman, Baha:, curatorial statement, Photo Kathmandu 2016

Prasiit Sthapit in collaboration with Photo.Circle, A Look Back at Photo Kathmandu 2016, video, Fuzz Factory Productions

Prasiit Sthapit in collaboration with Photo.Circle, Photo Kathmandu 2016 Mixed Media Artist Residency - Open Studio, video, Fuzz Factory Productions

Photo Kathmandu vows to reflect 20 years since the war in Nepal, article, British Journal of Photography

Alison Britton, The Why Question, commissioned essay in Royal College of Art MA Ceramics & Glass Class of 2016 catalogue, pp. 4-7

Jill Journeaux, Crafting Anatomies: Bonington Gallery, Nottingham Trent, exhibition review in Journal of Textile Design Research and Practice, Vol. 3, Issues 1-2, pp. 117-124

Sian Hindle, Beyond Jewellery and Flockomania2, symposium review, thinking on the page blog

Thomas Apostolou, RCA Open Studios, Saatchi Gallery Magazine

Piers Baker and James Bevan, New Ceramics Award, The Lanthorn: News from the Worshipful Company of Tin Plate Workers alias Wire Workers of the City of London, Issue No 16, p. 7

Bonington Gallery, Nottingham Trent University, Crafting Anatomies, exhibition guide, p. 4

Kate Dominy, Royal College of Art Work in Progress 15: Ceramics & Glass, exhibition review, Arts Thread

Ritz Wu, One Artist a Day, RCA Studio Visit Society

Sisse Lee Jorgensen (ed.), Insights, European Ceramic Context, catalogue, KADK Bornholm, Denmark

Talente, IHM (International Handwerkmesse), catalogue: entry category Ceramics, Munich, Germany

Gerhard Glüher, Ort und Identität (Place and Identity), essay in catalogue, ar/ge Gallery, Bolzano, Italy 

Franz, Ort und Identität: Studierende auf Spurensuche in Truden, franzmagazine